At Magnolia Pictures, I designed digital assets that treated each film like its own ecosystem. My job was to translate narrative tone into visual language — shaping how audiences first encountered a story on social.
For Shoplifters, that meant leaning into its intimate, human warmth.
For The Guilty, a tighter, pressure-cooker atmosphere.
Across every campaign, I balanced creative direction with strategic design, crafting assets that didn’t just promote the film, but extended its world outward.















