DC COMICS

Amazon Kindle & Books had a credibility problem. BookTok had exploded, readers were building communities around recommendations, but Amazon's editorial team—the Amazon Book Editors—weren't part of the conversation.

For their annual "Best of the Year" and mid-year "Best of the Year So Far" campaigns, I led creative concepting that positioned the Editors as authoritative voices while building awareness of Amazon's curated book lists.

Amazon Kindle & Books had a credibility problem. BookTok had exploded, readers were building communities around recommendations, but Amazon's editorial team—the Amazon Book Editors—weren't part of the conversation.

For their annual "Best of the Year" and mid-year "Best of the Year So Far" campaigns, I led creative concepting that positioned the Editors as authoritative voices while building awareness of Amazon's curated book lists.

CLIENT
DC Comics
ROLE
Art Director
PROJECT
Social Campaign

The Client:

DC Comics partnered with Cartamundi for a collectible trading card series and launched Bat Cowl NFTs, expanding their brand into physical and digital collectible formats

The Audience:

Comic book collectors who value authenticity, nostalgia, and owning pieces of the DC universe—whether physical cards or digital assets.

The Challenge: How do you build excitement for new collectible drops in a market saturated with trading cards, NFTs, and comic memorabilia?

Best Books of the Year (So Far)

BOTYSF is a mid-year editorial campaign

where Amazon spotlights the most standout

titles released between January and June

Best Books of the Year (So Far)

BOTYSF is a mid-year editorial campaign

where Amazon spotlights the most standout

titles released between January and June

For the campaign, I pitched and executed a roundtable shoot featuring the

Amazon Book Editors discussing their favorite reads of the year so far.

The format positioned them as credible voices with distinct perspectives.

The shoot was intimate, editorial, conversational.

For the campaign, I pitched and executed a roundtable shoot featuring the

Amazon Book Editors discussing their favorite reads of the year so far.

The format positioned them as credible voices with distinct perspectives.

The shoot was intimate, editorial, conversational.

We also shot Kindle-specific content

showcasing device features while letting

the Editors' personalities and literary insights

shine through.

We also shot Kindle-specific content

showcasing device features while letting

the Editors' personalities and literary insights

shine through.

I led the charge on the look and feel of this campaign.

Everything from the framing, lighting, setups sets, to wardrobe direction.

I led the charge on the look and feel of this campaign.

Everything from the framing, lighting, setups sets, to wardrobe direction.

Best Books of the Year

The mid-year campaign proved that audiences responded to Editorsspeaking as passionate readers, not corporate voices,

so we doubled down on that approach

for November.

Best Books of the Year

The mid-year campaign proved that audiences responded to Editorsspeaking as passionate readers, not corporate voices,

so we doubled down on that approach

for November.

I led the visual direction for the zine format, designed to make audiences

feel like participants in the conversation rather than passive viewers.

I led the visual direction for the zine format, designed to make audiences

feel like participants in the conversation rather than passive viewers.

To support the campaign, we created a microsite featuring a reader persona quiz that delivered personalized recommendations from the year's top titles.

Users could then share their persona and reading list on social.